URSA Mini Pro 4.6K G2 5 1/3 underexposed image pushed back to zero. A revamped sensor has a new extended ISO of 3200, and frame rate options now extend to 300 fps in HD Blackmagic RAW, 240 fps in 2K and HD ProRes, 150 fps in UHD Blackmagic RAW, and 120 fps in 4.6K Blackmagic RAW and UHD ProRes. As can be seen, the noise floor looks quite clean, hinting at some form of noise reduction. URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test. Overall I have to say that the URSA mini has kinda a warmer look. Only thing that's slightly different is the sensor which now has HDR. The waveform plot below of the XYLA21 stepchart visually reveals about 12 stops above the noise floor. I then matched the "correct" exposures to 122 in 8 bit and then matched all other shots to this without any further colour changes. The firmware version was 6.4. URSA Mini Pro G2 vs RED Scarlet Dragon Side-by-Side Comparison. Next time. URSA Mini Pro 4.6K G2 also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. At ISO800 the UMP 4.6K G2 comes in with a strong 12.6 stops of dynamic range at a signal to noise ratio of 2 according to our IMATEST analysis (13.5 stops at a signal to noise ratio of 1). At the cusp of being usable, unfortunately, because of the vertical stripes. While it’s still fresh, I thought I would share some of my first impressions here on the blog. See our article from December 2018 here. Camera Setup and color grade:Using waveform monitors, the skin (Johnnie) was exposed to a max. Then in postproduction using DaVinci Resolve I pushed up the underexposure by the exact value in the camera RAW tab for both the URSA’s. URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. We managed to put the UMP 4.6K G1 and G2 cameras quite close side by side. You can also view it as the margin a camera allows for exposure error. Also, we wanted to see how it fares in our latitude test versus the first generation URSA Mini Pro 4.6K G1. USB-C for Direct Recording to External Disks. IMATEST dynamic range result of the URSA Mini Pro 4.6K G2 using ProRes XQ at ISO800. The video was produced in Resolve in ACEScct and is in Rec709 colour space. As a longtime fan of Blackmagic, my ears popped right up this morning when I heard the news of their brand new camera – The URSA Mini Pro 4.6K G2. Last year when we tested the predecessor to the current G2, the UMP 4.6k G1 in ProRes and BRAW, we (back then) got the second-highest dynamic range result ever: 12.5 stops in ProRes, 12.6 stops for BRAW (for a signal to noise ratio of 2). This lets you use different combinations of aperture and shutter angle to achieve … Exposure was set by using false colour to get the mid grey of a Kodak Grey Scale Plus to show green. Test procedureStarting with zero relative exposure, we set both URSAs to record, and successively reduced the exposure by increasing the shutter speed from 1/25th to 1/50th, then 1/100th , 1/200th then 1/500th and finally 1/1000th. 60% luma value on the waveform, the white sheet of paper was around 65 on all three cameras. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight. Resulting in 0, 1, 2, 3, 4 1/3, 5 1/3 stops of underexposure. Updated this release to fix highlights issue. Hi, this is Jay P Morgan and we’re back here with Aizhan to take a look at the Canon C200 vs Blackmagic URSA Mini Pro G2. This is almost exactly the same result that I got with the previous generation UMP 4.6K in December, within 0.1 stops. But wait, there’s more — they also both offer ND filters, and they both have external controls for on-the-go shooting. With BRAW this philosophy doesn’t work, as we have to use DaVinci Resolve to develop the files. URSA Mini Pro 4.6K G2 at the zero studio setting, URSA Mini Pro 4.6K at 5 1/3 stops underexposure. The URSA Mini Pro G2 can be purchased with an EF, PL, F or B4 mount. Lastly, when the URSA Viewfinder is included, they both cost the same price. For now, we rate the URSA Mini Pro G2 4.6K with a dynamic range of 12.6 stops at a signal to noise ratio of 2  (as its predecessor, the UMP 4.6K). URSA Mini Pro G2 vs BMPCC 4K In-Depth Side-by-Side Comparison. The G1 starts to become pinkish, whereas the G2 becomes more and more greenish the more you underexpose. I always like to use any camera in the field before I do any sort of … Needless to say camera is unusable. URSA Mini Pro 4.6K G2 with PL Mount. URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. Read on for our results – also, please have a look at how we test dynamic range here. To be fair, the RF system hasn’t been … ACES LUT's for use in a non-ACES environment, Lens Comparisons Anamorphic, Spherical, S35 & FF, All Camera and Lens evaluation from 2000 onwards. Also, spatial and temporal noise reduction was applied (3 frames temporal, threshold 30 and spatial threshold 15). Added language localisation support. I really want to take a look at this comparison because I own a C200 and I really want to see what the RAW looks like on this compares to the URSA Mini Pro G2 to see how they compare because I’d love to buy a companion camera, and I need to decide if I should just buy … The interchangeable lens mount lets you use high quality photo, cinema and broadcast lenses from manufacturers such as Canon, Zeiss, Arri, Cooke, Schneider and more. In general, we can say that both cams start to show vertical stripes in the image, which become problematic at 3 stops of underexposure. Lenses. Stereo XLR with Phantom Power 2. URSA Mini Pro 12K includes a PL mount and URSA Mini Pro G2 comes with an EF lens mount. In general, as more and more raw capable cameras are hitting the market, we have to think about how we should test the raw modes. Installation notes and further info can be ... Hands-On Video. 12G-SDI Out 4. Not that it would make any sense, but here is another image from both cams at 4 1/3 stops of underexposure for your reference: URSA Mini Pro G1 and G2 at 4 1/3 stops underexposure, pushed back to zero using the camera raw tab in DaVinci Resolve. The URSA Mini Pro 4.6K and the C200 both have a Super 35 image sensor, shoot on to both SD and CFast 2.0 cards and offer a type of RAW shooting along with another codec. So, is the new G2 going to set a new standard in our lab? For all cameras this resulted in a starting point as follows: shutter 1/25, ISO 800 (640 for the Panasonic S1) f4.0 All cams were set to record UHD 25fps, both the UMP’s were recording 4.6K which was scaled in post-production to UHD. Quite interestingly, this is about half a stop lower than the result we got on the UMP 4.6K tests in December last year. ... Cameras: URSA Mini Pro G2, Pocket 6K, & Cinema Camera 2.5K … +2 The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb/s. This was 1/2 stop less than my Minolta IV meter indicated. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and color science of the camera, providing you with additional latitude, even under harsh lighting conditions. ... URSA Mini Pro 4.6K is available now for $5,995 from Blackmagic Design resellers worldwide. The Red Komodo has a Canon RF mount. URSA Mini Pro 4.6K G1 vs. G2 at 3 stops underexposure. From appearance to features quite a lot from one camera to the other is shared. You could add an adapter to the Komodo to make it compatible to another mount, or just use RF lenses natively. Francis Joseph D'Costa July 18, 2019 Blog No Comments. The test was performed in June 2019 – so I have to apologize to you, our readers that I didn’t publish it earlier. A dedicated off-speed … Curious to see the results? URSA Mini Pro 4.6K G2 is available now for $5,995 from Blackmagic Design resellers worldwide. Now, let’s look at the UMP G1 side by side to the new G2. Before the dynamic range test, I let the UMP G2 warm-up for 15 minutes and then performed the “black shading” sensor calibration with the lens cap on. URSA Mini Pro G2 vs RED Scarlet Dragon Side-by-Side Comparison. The best is to have both, if possible. This contradicts my earlier tests and shows how important total resets are! Everything was on preset, the only adjustments that I made were Temperature and Tint on the "correct" exposures which I then applied to all shots from the relevant camera. After an initial quick test I have taken my time and reset and calibrated both cameras and made sure that they have the latest firmware. 12V Main Power 9. This was 1/2 stop less than my Minolta IV meter indicated. ... My Ursa Mini Pro G2 still with "Frame tearing" problem after firmware upgrade to V6.4. Top. Also, back this summer we hadn’t established our rolling shutter test yet, so this value is, therefore, missing in our results. If you need of all spec of of Ursa Mini Pro you must buy so much tool that pockets not are not less expansive than ursa. But, better late than never. Both cams were allowed to warm up for 15mins, then a black shading (sensor calibration) was performed with the lens cap on. But we know that on-paper specs are not everything, so let’s head down for the image comparison and let’s start with the picture … Canceled my order of G1+Free EVF for G2 because of readout and future support regarding FPGA or whatever Lego like internals for future software re-building and of course dead pixel remapping. The same situation was found with the BMPCC4k when we initially tested it – also here, the ProRes files showed a higher DR than the RAW (CDNG in our tests). URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera. Updates are valid for the original Blackmagic URSA Mini Pro G1 only; it’s always nice to see camera manufacturers keeping older camera bodies up to date. Posts: 177; Joined: Mon Mar 18, 2019 4:53 pm; With it, Blackmagic Design hit the mark of the seventh year in the … Read on…. Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. For now, we rate the URSA Mini Pro G2 4.6K with a dynamic range of 12.6 stops at a signal to noise ratio of 2 (as its predecessor, the UMP 4.6K). URSA Mini Pro 4.6K G1 and G2 cameras topic. © 2021 All rights reserved. Both cameras feature the same sized sensor. Ursa Min Pro G1 v G2 After an initial quick test I have taken my time and reset and calibrated both cameras and made sure that they have the latest firmware. For this test, we set up our cameras at the cinema5D studio as depicted above. Now her skin in this is plus 1 stops, but the concrete behind her is probably like +5 or +6 so we should see that blow out pretty soon here. Because they are so similar, we … Different beast, Ursa Mini Pro is for some kind of work, pockets for others. Again, not knocking this upgrade. As a result the G2 is actually very mobile to use, with much of the final weight and balance being determined by your lens and battery selection. AbdoulUK. Given the all metal body construction and solidity of the whole thing, that's quite an achievement. Latitude, not to be confused with dynamic range, is the capability of a camera to retain color and detail when over- or underexposing the image. You can purchase additional EF, PL and F lens mounts separately, and even a B4 lens mount for URSA Mini Pro 4.6K G2. The Ursa Mini Pro 4.6K G2 continues Blackmagic Design's trend of making powerful but approachable cinema cameras for indie and low-budget productions. As our intention is to test the untouched files straight off the camera, we are not processing the BRAW files further, hence we will use the ProRes result instead. Speaking of which, Blackmagic do not specify a power draw for the camera. firmware update blackmagic upgrade … As a first step, I analyzed the 4.6k ProRes XQ dynamic range. However it was supplied with an Anton Bauer Cine 90, and … What are your experiences? Which is subjective of course, as we do not have a mathematical procedure behind it (like IMATEST for the DR measurements). cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, SHAPE Rigging Solution for the Sony FX6 Released, Blackmagic Design ATEM Mini and Camera Update Coming on Wednesday, Lomography Atoll 17mm F/2.8 Lens - Live on Kickstarter, SmallHD Focus Pro Limited Edition Now Available, Tilta BMPCC 4K/6K Display Modification Kit, Volta Cinema Top Handle Review - Elegant Way to Power Accessories, Aputure 60d and 60x Review – Compact & Focusable LED Fixtures. Broadcast Lens Control … Re: Ursa Mini 4.6k vs Ursa Mini Pro Wed Sep 05, 2018 12:43 am +1 to everything, but another couple huge perks for the Pro are the irnd internally (even if not using internal ND, still makes other ND significantly better,) Bluetooth, which hasn't helped me too much specifically but for crane or studio work I could imagine it being very useful, and also SD card inputs. Added common off-speed frame rate options above slider. 12 stops can be identified above the noise floor. USB-C 10. To … Added slider and 1/3rd stop increments when adjusting ISO. Jump to 8:25 for stuff new to the G2 over the G1! I’ll keep this short and sweet, as this is day one and I have not yet shot with the camera. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. I just use Ursa Mini Pro g1, pocket4k Pocket6k (not all mine, we are a group of pro that share hardware). Latitude test setup with the URSA Mini Pro G1, G2, and the Panasonic S1 which we tested in the same run as well (you can directly compare the results to the URSA Mini’s by clicking here). First week with my Ursa Mini Pro 4.6k G2. The URSA Mini Pro G2 is clearly a camera designed to have mostly-everything in the box. The new URSA Mini Pro combines the best digital film technology with the most advanced broadcast features and ergonomics available, making it perfect for … We compare footage from the Ursa Mini 4K against the the GH5. Latitude test of the URSA Mini Pro 4.6K G2 versus G1. When the new URSA Mini Pro 4.6K G2 arrived at the cinema5D office this summer, we were quite curious to see if the lab results would show a difference as Blackmagic Design claims in their official press release that, “the second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor”. It seems that BLACKMAGIC decided for BRAW on the G2 to leave the image relatively untouched (whereas in ProRes a slight internal noise reduction seems to be present in the files – this is also the case for the BRAW UMP 4.6K files from last year). Now, let’s push the massively underexposed UMP G2 image back to zero. To give you an idea of how underexposed the images were, see below two images from the setup from the URSA G2 – the first one at zero settings, the second one at 5 1/3 stops underexposed. Both cameras share the same camera body build with buttons found on the operator side of the camera. They are of course large files! To get to 122 the G1 required an offset of +2 and the G2 required an offset of +1.4. ISO 800 BRAW constant bitrate 3:1 4.6K scaled to UHD. 3G-SDI Out 5. But what we learn from this test as well is that you have to be careful when shooting underexposed – the vertical stripes can easily ruin your image already at 3 stops under. Latitude, not to be confused with dynamic range, is the capability of a camera to retain color and detail when over- or underexposing the image. The URSA Mini Pro 4.6K G2 shows a strong 12.6 stops dynamic range reading at a signal to noise ratio of 2 – a really good value! The G2 is just a little bit brighter and a little bit darker in the shadows. Passionate shooter who isn't doing this for a living. Hence, when testing dynamic range we basically set a threshold for acceptable noise (the signal to noise ratio of 2) whereas for latitude tests we judge how well a camera retains the colors and overall image quality. Of course, you can push around the BRAW files in post heavily – using noise reduction, for example, cleans up the lower stops nicely and highlight recovery would be another possibility to squeeze out even more dynamic range. As far as I’m concerned, considering the specific issues I face, I would pick the Canon C200 ( B&H , Amazon ). Unusable, as the vertical stripes cannot be removed by noise reduction. Key features: Digital film camera with 15 stops of dynamic range. URSA MINI PRO G2; RESOLUTION: 5120 x 2700 SENSOR SIZE: 25.6mm x 13.5mm DYNAMIC RANGE: 16.5 stops (According to RED) LENS MOUNT: EF or PL (+ more) NO ND FILTERS HIGH FRAME RATES: 5k 50 fps, 4k 120fps 11:1 FORMATS: R3D + Pro Res (422 standard in 4k, 422HQ in 2k) RECORDING MEDIA: Red Mini Mags (expensive) RESOLUTION: 4608 x 2592 SENSOR SIZE: 25.34 x 14.25mm DYNAMIC … You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to … Francis Joseph D'Costa June 18, 2019 Blog No Comments. The saturation of red, yellow and green is much improved in the G2. 1. Last year has seen the announcement of an unexpected camera, the second iteration of the Blackmagic URSA Mini Pro, the so-called G2. Now, using ISO800 yielded 12.1 stops at a signal to noise ratio of 2 (13.2 stops for SNR = 1). 12.6 stops are calculated for a signal to noise ratio of 2.
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