It may look like you're not seeing a lot of movement here because the three layers aren't that different from each other, but you're going to see a nice span of size here when you put it all together. Great. Check out the class resources to find the link. Now, you can see here it pulls up different options that you can scroll through. I'm going to go and add a layer, and then I'm going to put it behind that inserted image layer. I can't wait to show you my process, so let's get started. All right, and now we'll start drawing with some color. So, I'm going to move the back arm, handlebar holding arm, and have her holding her hip. 10000+ produkter - Altid hurtig levering - Lave priser - Personlig service So, I'm going to go back to the bottom, add a new layer, put it behind, and put the bike there. Export successful. So, now it's just a little ghost image that's going to help me as I draw. We're really not going to need this at 2048 pixels square. I like to keep things smaller than three megs tops, if I can. To rotate the shoelace, I'm just going to hit Command T for the transform box, I'm going to take the center point here and I'm going to move it to the center point of where shoelace will pivot from, which is where that knot in the shoelaces. Search the world's information, including webpages, images, videos and more. Now down here, we can change the image size. All right. All right, and instead of drawing a new shoelace for every layer, I'm just going to duplicate this and rotate it. I like to keep the edges just a little bit fuzzy or a little bit jagged here and there because it just feels more hand-drawn that way instead of when you're drawing in a vector-based program like Illustrator. So, I'm going to select all four frames by hitting the shift button. Now, we have a very subtle little fanning motion there as well. Next up, we'll start to create the layered pieces that are going to become our animated character. If you remember when I was designing this earlier, I really limited the number of colors that I use. Explore More Classes on Skillshare: It’s easier than you think. So, I'm going to hit stop and now we're ready to just hit save. So, I'm just now drawing and adding a little bit onto that layer and making that hair at flow out a little bit more. About Google Shopping. Your own hand is going to make this piece individual. But we can see that it doesn't really change the way the file looks. What we'll do here to create that illusion of motion is show and hide different layers since we drew different hair layers for instance. That means it's under a megabyte which is really small for GIF. I have my ice cream selected and then I swipe right to select both layers. So, we haven't choice here. Now, you go to this drop down menu where it says zero seconds and adjust here. The one thing I'd like you to take away is that, to create an animation like this that really feels pretty simple, you're still going to need to draw. So, now I'm just going to go ahead and keep cleaning this up a little bit. So, let's just bring it in a little bit here just so that we can just have a little bit of difference between the two layers, and we'll do the same with the back wheel. But since it's five seconds and I only have 0.4 seconds of video, that means I'm going to have to duplicate some of these frames. So, we're going to go to the file menu and go to the dropdown, go to export and you'll see here save for web. Before we start adjusting things over in this right-hand panel, let's take a look down here at the lower left corner. Looking to take your illustrations to the next level? If we look at the three-quarter view it's working and you're going to get some opportunity to show the wheels moving and the hair moving, but I think in the end I really like the geometry and the balance of the profile view. So, we're in really good shape sizewise. But I want to mention that we don't want a perfect circle because then if we flip a perfect circle, we won't see any difference. To create a new layer, I'm just tapping on this plus icon, and that gives me a new layer. Some dots on her jumper and how about a stripe on the bike frame, and if we want we can select the bike frame by pulling over this side menu, selecting that, and now I can just kind of scribble on top and still have it be within just the selected area. Now, I'm just bringing the opacity up to a hundred there. Whenever I'm drawing people on bicycles, I like to include helmets because it is so important to be safe whether you're an animated character or an actual human being. I just want you to remember that, knowing how to make a gift is an important skill whether you call it a gift [inaudible]. I don't have to be too exact about it. It'll save it to my desktop because I have that selected. So, we have our first frame created and now we're going to add a second frame which is really just a duplicate of the frame before it. $279.30. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. 1. My name is Libby VanderPloeg and I'm an illustrator and designer. So, delete. So, first I'm going to show you how to export it as a GIF. So, I need to be able to adjust that layer independent of the other parts. 2. So, to change the background color, you go to the bottom layer, the Background Color layer. $749.00. Scroll down to timeline, it's near the bottom, and that pops open the bottom bar underneath the image window. I have a square specified here at 2048 by 2048 and that's definitely big enough for what we're going to do and actually a little bit bigger. The goal for this phase is not to have a final drawing, this is really just to get a framework for the rest of the animation and how your character is going to be structured within that frame. Now I'll just go back to that layer on which I had both of the tires and I'll delete the extra. And then I'm going to do this for the rest of the layers. I personally like to do things for 0.15 seconds to start and that's on Other, Custom, Time. So, now that we have our character sort of designed, I'm going to blow her up and have her fill up the frame. I like this kind of neutral color here. Silver Queen is a fanfiction author that has written 36 stories for Yu-Gi-Oh, Inuyasha, Harry Potter, Spirited Away, DC Superheroes, Batman, Buffy X-overs, Star Wars, Alex Rider, Infinite Undiscovery, Sky High, Star Ocean, and Naruto. So, I'll put that back leg, back behind the bike frame and we'll just keep it separate. I can definitely do that up here in this box. So, as we did before, we're going to duplicate that ice cream layer, and we'll just bump down the opacity on it and now, instead of drawing on top of it we're just going to tilt with the selection tool. It just plays back a little bit slower in this preview mode but don't let it trick you. Storyboarding: So, today I'm going to be drawing a woman riding a bicycle and enjoying an ice cream cone. You'll see that when we show and hide those layers we're going to get the illusion of motion. 8. So, I'm going to start a new file here and it's a blank canvas. We're probably only going to need it at a max of 1080 pixels. Right now we are at 256 colors, but if I go to that dropdown menu I can go down to 128 colors. Down under image size, we can change the size of our final export. We take great care in the creation of your DVDs so the content is exactly what you would receive from the original studio DVD for most titles, or … So now, I need to go and clean up those layers because there might be some gaps where we cut things. I'll just save it right in there, and we'll title it as well, just to keep it organized. So, now if I play my animation, she's just basically flying in the outer space and that's not what we're going for here, although it is interesting. My work comes out of my deep affinity for storytelling, music, letterforms, printed ephemera, and wildlife. See how easy that was? Original price: $399.00. 10. So, I'm going to draw maybe four different layouts for what this might look like. Can make a really skinny and then it'll be too different, can make it really wide still too different. So, let's merge those down into one thing. Now, we're going to do some iterations of the ice cream to create that same feeling of motion. View more. Libby will show you how to add motion to your work with just a few simple tweaks to your original illustration. So, now she's bumping along the road. • Well, that's because the back leg needs to be behind the bike frame to make sense. We'll click that. So, we're going to keep those separate and the same with the wheels in the bike frame, those are going to move, so they need to be on their own layer too. We can just look at this one now and think, all right, we have a sort of environment starting, she's going to be moving in this direction on her bicycle, so everything that is attached to her is going to be pulling in the opposite direction, like her hair is naturally going to blow in the reverse way, so that's going to flutter out that way, and maybe these balls of ice cream are going to start to tilt in this way just a little bit as she's moving, so that will feel that direction that she's pushing in. In this next video, I'm going to show you how to export your animation in a couple of different ways. So, we're opening up Procreate and the first thing I'm going to do is select a square size. The ice cream, we're going to have those balls move a little bit, so that we see a little motion from the wind and bouncing on the bike. So, just so you know, let's say that this was maybe five megabytes and I wanted to try to reduce the colors at this stage. When I was younger, I hated drawing people in profile, I thought it was the hardest thing to do, but I guess maybe I've just been trying to practice that and now it's kind of fun. Adding Elements in Photoshop: Now, I'm going to show you the kinds of things you can add at this stage of the animation, and I'll also touch on some of the things that are a little more complicated to add if you hadn't planned for them in your original drawing. And you'll want to select 30 frames per second. If you can avoid it, you're going to want to probably avoid making your file less than a 128 colors. So, we're seeing that twice in a row which makes it too long. Consolidating Your Layers: So, now that we've got our drawing done, we're ready to start organizing layers. Animating in Photoshop: So, now that we have all our layers we're ready to open up that file in Photoshop and use the Timeline panel to create our animation. We're pretty close here. Now, we're going to have to do a little bit of extra drawing from the layers that we've already created in order to have the additional drawing elements that we need in order to illustrate motion. So, we're going to go back up to the file menu, to the dropdown, and click on export, but this time we're going to hit render video. It doesn't need to be big, just big enough to get the idea across. Now, if I go up to this upper corner and I just tilt her back, should let us preview this for a second. We just put that on the very top, just get it on the way. I'll open that up and now as you can see here in the Layers panel I have all of those layers labeled and they're all maintained after the export. We still need to draw the bicycle though. Actually let's add another scoop too, right in the middle, a nice white accent. Once I do that, you can see it changed some of the way the colors show. Now, if I wanted to go and make it even smaller like say, well maybe I can get it down to 16 colors. Introduction: One of the reasons I love animation, is that I can tell a little bit longer of a story than I could with a static image. I only need 16 more frames. Refining Your Character: The goal of this phase is really to get all your details drawn and all of your foundational elements ready so that you don't have to add any more drawing details later on. So, let's add another frame. That'll create a duplicate of that middle action which will step us right back down to our original starting point. And then if we look straight at the image of her straight on, we're not going to be able to see the wheels move, and her legs aren't going to move because she's going to be coasting, so the only opportunity for movement here that we'll see is just the hair. So, we'll just go in here and we'll start doing things like take the bike frame, take the wheels by swiping right, we can select all three. So, the easiest way to really adjust your animation at this point with drawing is to add new things on top. GIFs are great for websites and MP4s or videos are a little bit better for social media. Help. You'll be glad you labelled things clearly when you get into Photoshop. We can see here that we didn't have the opacity adjusted on Wheels2, so we'll change the opacity right here at the top of the layers box to 100 percent. So, I'll click the drop-down menu, and let's try 0.1 seconds this time, it's just a little bit faster. Please enable Cookies and reload the page. There we go. You may need to download version 2.0 now from the Chrome Web Store. For instance, the hair, we're going to have the hair flow. Now, if we flip them vertically, we can start to see there's a little bit of a difference there, but it's not very noticeable. The one thing we could do here though, is make her bump up a little, maybe she hits a bump in the road. I believe the minimum length that you can upload a video to Instagram might be three seconds but these things are always changing. So I'm going to hold the Option button down and drag frame number two to the end. So, I hit save and now I can name that GIF. In this next video, I'm going to show you how to export your animation in a couple of different ways. I do like yellow and sometimes I use it as an accent. 9. That's it. I'm going to give her some high top sneakers, some sunglasses. And since Libby will teach you how to plan your animation right on your iPad, you’ll be ready to start your project wherever and whenever inspiration strikes! Now you get to select where you want to export that to. 3. Animation isn't just for the pros, it's for everyone. So, not only do I like design wise keeping my colors pared down and keeping a concise palette, but it also makes my end product load a lot faster and be a lot more efficient. When you're drawing this bike, you don't need to go overboard with details. So, in the upper right here we're going to go to this dropdown menu that says JPEG, and we'll select GIF. Now, we'll make sure that when you go between the two you can start to see a little bit emotion. Now, I'm going to go ahead and hide the sketch, and I'm going to brace myself because this is not going to look like a finished piece. The teacher's recommendation is shown until at least 5 student responses are collected. On January 9, Angeli was arrested and... brought up on U.S. federal charges of "knowingly entering or remaining in any restricted building or grounds without lawful authority, and with violent entry and disorderly conduct on Capitol grounds". I'm still working sketchy here because I just want to get all the colors and pieces in place, then I'll hide the sketch, and we'll make everything a little tighter and cleaner. Hi, I'm Libby VanderPloeg and I'm an artist, illustrator, and designer based in Michigan. So, I'm just not going to select all of them. Now, we can just go to frame two, we're going to show Shoelace two on frame two. I don't use too much yellow. All our conversions will be perfomed in high quality mode with a bitrate of at least 128 kBit/s. I still like it more simplified without her bumping along the road, so I'm going to hit Pause and I'm going to hit Undo. So, now I'm going to open up Google Chrome and I'll just drag my GIF right into the window, just drop it right in there, and look it plays, and it's playing as we wanted it to. Even if it's just a five second video, a lot of things can happen in five seconds. So, now that we've hidden a sketch, we can see this is pretty rough, we're going to start cleaning things up. Adding that little white scoop will kind of balance out some of the white that we see in the other elements of the drawing. I'm going to call this Wheel2 or Wheels2 and I'll call the other one Wheels1. So now, I'm going to go into the bike frame folder, and I'm going to take a look at these wheels, and I'm going to create a second set of wheels just by simply duplicating the wheel layer. This is going to bring up your export window for when you want to make a GIF or a JPEG or PNG. So, looks like we're all centered here, I'm just going to take one last look at my layers and make sure everything's organized within the folders and I see here, I'm probably going to want to layer these hair layers with numbers at the end so I can keep them straight. Don't worry about having too many layers at this point. So, I've drawn all of the body parts, and now I'm going to start to draw some of the additional elements such as the hair and the clothing and accessories, maintaining layers so that everything can be moved around if it needs to be at this early stage of creation. But if they know that there's an action that's about to take place, you start to peak people's curiosity and make them want to stay and watch and see what's going to happen next. So, I'll press the Option button, and I'll click this white circle with my touchpad and now, I have white in my palette so I have a nice white shoelace. So, let's try that. Right. Performance & security by Cloudflare, Please complete the security check to access. But if you look down here, you can see it in the preview, they look like they all tilted. If you make a drawing, people see it in a second. I'll open up my palettes here, and I'm going to use this palette I've created at the top called bicycling. This time I'm just going to keep my selection at the last 16, hit option, and drag out to the end after the 32, and now we have 48 frames which is plenty for our five second-ish animation. 11. I like to use this dry ink brush, and then you can select your size right here, if you need it bigger or smaller, I kind of land somewhere in the middle for this. You see when you look at the marque, just make sure that the spacing around her looks even and it does now. Do not worry, our service is completely free. Note: Access to both Procreate and Photoshop are recommended for this class. So the easiest thing to do here would be to duplicate the second frame and take us back to that middle step of our animation. Now, I see that center point, it's in the very center, I'm going to move it down to the bottom center of her back wheel, because that's where she would tilt from. Here we go. So, I'll take the process step-by-step. • Adding Layers for Animation: So, we're done merging layers at this point. So now, I'm going to open up the Timeline panel, and you're going to find that under Window. Because of this our software is platform-independent: You can use it with your Mac, a Linux PC or even an iPhone. Learn how to quickly and easily animate your work with Procreate! The speed is looking all right but as you can see there's a little bit of a pause with the wheels. So, I'm going to start fleshing out these body parts, and I just noticed that I'm on the wrong layer right now so to undo that I'm going to double-tap with my two fingers and that'll undo the move. We're going to go into our paintbrushes, and as you can see, I've got a whole bunch of Kyle Webster brushes here that look and feel like paint. There's only one more thing I would recommend and that's taking a last look at the Canvas, and maybe pull away a little bit. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Now, everything else here looks like it's the woman and the ice cream cone. Now we hit render, and it's ready to preview. So now that we have all the ice cream scoops adjusted, we're going to group those together as well, and we'll call that layer or that group, Ice Cream. We'll zoom out, we'll hide Shoelace three, we'll hide Shoelace two. The first part of our process is storyboarding. The first thing I'm going to do is pick a skin color, and I'm going to start to draw that body. Once I do that, you can see it shaved off about a 100 kilobytes which isn't really important here. So, now I have 16 frames and now I'm going to start at one again, hit this shift button to select up to the 16th frame, and I'm going to hit option and duplicate again. So, once you have Procreate open just make sure you have the brush you want to use selected, right here. We created a drawing in Procreate, and turn it into an animation in Photoshop. But I'm going to make sure that I draw the wheels on their own layer because the wheels are going to be moving independently off the frame. Now, we're going to get our paintbrush. Make Digital Animated Stickers for Instagram Stories and iPhones, Fun With Spaces: Create a Stylised Scene in Procreate + Animation, Illustrate & Animate a Christmas Snow Globe | with Adobe Illustrator & Photoshop. Now, I take my selection tool, I marquee that area, and then I take my arrow tool, and just scooch it over. So, to preview the video you can actually just have the MP4 selected on your desktop and hit the space bar, and now it'll just play. So, I've got Shoelace one, I'm going to hit Control to bring up this menu and I'm going to select Duplicate Layer. We will call it Bike-girl and hit save. So, I'm going to hit Spacebar to make it stop, and I'm going to undo that. The tires are going to move and jostle just a little bit, just to give that feeling of the road being a little bumpy and a little uneven. It’s easier than you think. Google has many special features to help you find exactly what you're looking for. Google has many special features to help you find exactly what you're looking for. Click it, and then just pick a color and then it'll drop it right in there. I'm just going to bring up the opacity and make sure it's at a hundred on all of those. Since then, I've lived in Grand Rapids, Chicago, New York, and Stockholm. That also brings up a point about color. The rest of this stuff, it's all going to be moving together or not moving together. So, you can see there, you see all three layers and they're all together creating an undulating motion, which we'll use in our animation portion. I'm actually going to label these as well. In my work, I use a lot of pink and blue, and kind of fresh, cool spring-like colors. If we take the back leg and move it above the bike frame, as you can see, now she's riding side saddle and we don't want it to ride side saddle. So, I'm going to go to File to the drop down menu and click "Open". I'm going to select one, hold the shift button down to select all eight frames, and I'm going to hit that option and drag again. So, I like to draw my thumbnail into a square frame like it's going to be. We'll try Sketchy Sketcherton to make the shoelace, and that should have a similar line quality in what we've used before. So, to recap, there are some things you can do in Photoshop but for the most part, you're going to want to have everything drawn and planned out before you get there. We will hide hair number one and show hair number two, and we'll hide Ice Cream1 and we'll show Ice Cream2. Now, let's try playing the animation. From planning a sketch with motion in mind to sharing your final work on the web, Libby will teach you everything you need to know to create your very own animated illustration! I chose a woman on a bicycle because a bicycle wheel can add a little bit of motion without having to do too much elaborate drawing and adding in a prop like an ice cream cone will give me another opportunity to add a little motion. In my experience, I don't think you need anything bigger than 650 by 650 for Instagram, because the app's going to compress down anything larger. We're going to want to keep the wheels separate from the bike frame, we're going to want to keep the woman's figure separate from the bike frame, we can keep the ice cream as one unit. Now that I see all the three layers together, I think I'm going to see if I can make that hair just lift a little bit off of her back. We're almost ready to hide that sketch at this point because we've got all of our pieces. We can go right about there. 97. I'm going to just move this into the center. So we can add that element of movement there as well. There aren't really any shortcut apps that can do that for you. In today's class, I'm going to share with you my process for creating animated illustrations. New members: get your first 7 days of Skillshare Premium for free! So, maybe I should squash one of the wheels a little bit just to give a little bit more difference and distinction between the two sets of wheels. We'll give some flavors to this ice cream cone. Now, I'm going to draw on top of that body layer by starting a new layer. It's a little bit more energetic. So, we can just merge all of this down. So, if we select all of the frames at once by holding the Shift key down and then clicking on the last frame, now we can see all the frames are selected. We'll just use it as a framework to draw our character. So, open up the wrench icon and in there you're going to find the share button, click on the share button and export as a PSD. Now go to this one, and we'll just shave off a little bit of the bottom there, and now it will have a nice upward trajectory. How Do The Steelers Clinch Playoff Berth: Jan 3, 2021 Cleveland Browns Beat Pittsburgh Steelers, Clinch Playoff Berth All Cleveland needed to do to win the game and head to the playoffs was NewsHeadlines9 Hot News Business Technology Entertainment Sports Politics Science Celebrities Economy Education Environment Fifty. We're at the bottom, hair layer. It's just the most subtle, little detail but it does add just a little bit extra motion to the whole piece. So, with my fingers, you just adjust the angle. And then you can just start drawing some different thumbnails. Now, I have all four frames duplicated to make a total of eight frames. So, when I start to clean this up sometimes I'm going to use a different brush to kind of fill in areas more quickly, like I like this chalk brush to kind of cover bigger areas and add a little texture, which I'll do right here on her jumper. Let's give it some chocolates stripes and some mint chip would be good, and the pink scoop will just be plain because we don't need pattern everywhere. Then we can see all the layers together once I've draw on top of this layer. Limiting the number of colors you use can be a great tool for when you're animating because if you're exporting things as a GIF, the more colors you add, the heavier the file size is going to get. It gives the opportunity for me to add a beat of humor to my work. So, I try to aim for around a five second video. And we can show the wheels move as well. A little secret too, if you want to draw a straight line in Procreate, you just draw your line and then hold it for a second and now you can draw a straight line in any direction. Okay. Now, I have another one of these and now I'm going to flip it vertical. Hope you enjoyed the class. 4. So, I'll just hide these now. But we're really just getting everything in place. So, now let's preview our GIF in a web browser and make sure it plays as intended. But you can export it in a larger size. Once we're in Photoshop, I'm going to show you how to create your animation and then I'll show you how to export it to whatever platform you choose to share it on. So, let's start to add some motion by hiding and showing things. So, I'm going to zoom in to this shoe here, and make sure I'm selecting that body layer which is what that shoe is on. I had a brainstorm that it might be fun to make her even a little bit more competent of a rider and have her ride no-handed. I can also rotate the canvas by pinching and rotating my fingers. So, it's easy to add things, but the one thing you can't do when you're animating in Photoshop is rotate things without them affecting every other frame in the animation. The reason we're seeing that pause is because if I stop the video and I look at frame number one, and go to my Layers panel, I see that we have Wheels1 showing on frame number one, and we have Wheels1 showing on frame number three. So, let's try adjusting the duration of the frames again. So, it's pretty rough. I'm just going to rename this sketch to make it easier to know what's what. I'm just going to turn it to the multiply function, which is going to make it transparent. Now we'll use Wheels2 and hide Wheels1. First we will do storyboarding to hone in an idea, then we'll create our character in Procreate and then we'll export to Photoshop. I'm going to hide that one. Now, things are pretty well in place. Electronics. We have to click in the center and select either video timeline or create frame animation. So, much more fluid. I'm going to give you an example. Search the world's information, including webpages, images, videos and more. Who is Jacob Anthony Chansley? Whether you’re looking for a new skill to add to your professional repertoire or a fun weekend project, this simple approach to animation will unlock your ability to create custom, hand-drawn work with beautiful motion. I grew up in Michigan on the edge of the Great Lakes dunes in a little town called Grand Haven. So, you can see the scoops are slowly moving towards her. As you can see, it looks good. And sometimes I'll go and add just a little too much and then I'll just clean it up with the eraser once I'm done like so.
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