I’ll be using the Mackenzie Grey in a soda kiln. I would not suggest the Shino glaze by itself for an oxidised firing, regardless of cone or temperature. I am going to try the yellow matte in one of my next firings. Is something missing? Anyway, this glaze eludes me and can come out great or disappointing. Hi Arabella, sorry for the delayed response. It fires translucent rather than completely transparent (because it is a matte). The end temperature can vary depending on the size and age of your kiln, always use a witness cone to double-check. First; Previous; 1 (current) 2 3 4 Next; Last; Sort. I want to try the American Shino too. Recipes: G2928C - Ravenscrag Silky Matte for Cone 6 Plainsman Cone 6 Ravenscrag Slip based glaze. Hi Sid, Thanks for looking. Search this gallery of cone six glaze test tiles by selecting from the base names to your right or by selecting from the tag list of hue, colorant, surface quality or opacity. I think the Soda Ash flocculates the glaze and makes it really difficult to pass through a seive, so be sure to add that to hot water and let it dissolve first, and then add it to the already mixed glaze. I came across a glaze “Cobalt Blue Green Matte”. Recipes Glaze List for Fundamentals of Glazing: The Basics MALCOLM’S SHINO. 8. https://plainsmanclays.com/albertaslip/index.php?recipes6=1 Test 4-7 Red., Neutral, Ox. The reason I am writing you is because the Temmoku you have on here is what we used to call brown/black. I found for our Temmoku that if I dipped once for about 10-12 seconds that was about perfect. 4%. Learn how your comment data is processed. I fire to 2230F now; only because I want it just a bit more fluid so the colorants mix better. Simplest way to get a gray gloss would be to take a clear gloss that fits your clay then add stain. Do you have any suggestions? I’d assume the glaze listed here is the same one. Here is why. Flint 30. The temmoku glaze was from my class in college, but I’ve read that it’s the same as Jeff’s Temmoku on glazy. Ceramic Recipes. This recipe is part of our series of posts of glazes that just work. I have about a pint of the Ohata. No ohata red glaze here, sorry! OM4 5. The tests in the pic have all had varying amounts of stain powders added to them to give the grey colour, and the corners are double dipped to give a sense of a thicker application. Although I have found the new cone 6 oxidation glazing very interesting, I am feeling the need to return to cone 10 reduction. Titanium Dioxide. What I love about it: it fires from creamy white to dark orange, thick to thin; it pinholes beautifully where you trim; it has a wonderful feel; it doesn’t crawl. What I hate about it: The glaze settles VERY fast; the yellow color comes only if you’re lucky; it tends to have a greenish hue; if you dip too thin it comes out a washed out stony black color that is very rough to the touch (but I sand it down and it is actually really nice after being sanded! It’s just what people used I guess, and as long as the glaze was fired and vitrified, it should be good. thanks for the statement of work, Solomon has many great words of wisdom. Whether you are interested in trying out some of the beautiful high-fire glazes that have been used for generations, or if you want to try something new, you’ve found the perfect resource. Thanks for the question and good luck! The Val’s Turquoise, cone 6 glaze recipe was one of the first glaze recipes I made on my own in undergraduate (outside of the standard “safe” studio glazes). Hi John, thanks for the compliment. The thing that I really wish the recipes would discuss is the toxicity of the materials. Glaze Firing Schedule. I am wondering if your yellow is that glaze reformulated. Do you have any suggestions on how to use the Shino glaze and the Yellow MacKenzie in a 9 cone oxidation firing? Recipes: G2926B - Cone 6 Whiteware/Porcelain Transparent Base Glaze A base transparent glaze recipe created by Tony Hansen for Plainsman Clays, it fires high gloss and ultra clear with low melt mobility. We also had one called shupe’s blue and brown cow. Test 6 Ox. Tom, Hi Tom, I bet the potter mixing the glaze would be the one to get poisoned, not the consumer. And then maybe you hold a few pieces in for one really long dip. Keep in mind I fire in a hot cone 10 reduction atmosphere with iron-bearing clay…usually with lots of grog. After looking at these ingredients, nothing looks like it should decay or get funky like a bone ash would. Has a slight sheen at cone 10 in reduction with no glaze over the top. The Cone 6 Milky Clear glaze is a great addition to any studio. I also had a green celadon that was very pleasant…again baruim carb. I know that my creative abilities are God-given and because of this feel an exuberance and joy when making. From what I have seen, there aren’t many reduction potters left! The best of them are pretty nice! (28 cm) in length, porcelain, Mars Hill Copper Red glaze with a wash of iron oxide and water over, fired to cone 9 in reduction, 2008. Mid Range Glazes Cone 4-6 Dark brown, glaze. Whether you are interested in trying out some of the beautiful high-fire glazes I like using a website called glazey.org. These metals can leach out of a glaze if you have an acidic food like tomatoes on it. Enjoy! The clay I’m using is basically Amador which fires very dark. I would love to see the results when they are finished, so please respond back if you have time! Recipes: G2926B - Cone 6 Whiteware/Porcelain Transparent Base Glaze A base transparent glaze recipe created by Tony Hansen for Plainsman Clays, it fires high gloss and ultra clear with low melt mobility. Glaze name: Green Celadon Cone: 9 10 Color: green potash feldspar 29.15 whiting 30.27 kaolin 20.88 silica 17.42 RIO 2.27 Totals: 100 % . BINGO! 5. Glaze. Thanks for sharing your favourite recipes. I decided to go to cone 6 for business reasons. (Sorry for my English), Dear Rafael, thank you for explaining, and for that useful tip! I’m firing cone 10 and I am looking for a rich red glaze food safe. I recently returned to doing pottery. They are ones I used on my porcelain. I do know that the Temmoku listed is absolutely beautiful when applied thickly enough.
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